Fontaine James
Junior's Cave Music Interview with Fontaine James
Fall (August/September 2011) Edition
Music Now Spotlight
by Isaac Davis Junior, BGS, MBA
Fontaine James
Isaac: It’s an amazing time to be a DIY artist/performer/band/musician. What do you enjoy the most about being an indie performer?
Fontaine: It’s a very heady time. The circles that I run in at the moment are incredibly supportive. There is an amazing sense of camaraderie and bohemian spirit that keeps everyone energized and challenged and none of us are above dreaming. We all have different musical tastes as it applies to what we create as artists but we share an astounding mutual respect for all music.
I’m a sort of Pop Singer Songwriter but we’ve got a Jazz Gal, a Blues Rock Duo, a Full On Pop Goddess, an Electronica God and a Balls Out Stadium Rocker - No slackers here. Being surrounded by this kind of diligence makes me feel responsible to produce and I’m grateful to be in the thick of it.
Isaac: If you had an opportunity to sign with a major label, would you sign now knowing you may have to give up some of what you have built up over the years about you in the process?
Fontaine: The one thing I do not want to mess with is process. My producer (Adrian Holtz) and I have gotten into an amazing groove. Our roles are clearly defined and I would not want to upset the apple cart.
I’d love to be wooed by a major label and tempted with a “game changer” type advance but I would have to think twice about signing and relinquishing the kind of “singular voice” creative control that I have right now. Why, what have you heard?
Isaac: I remembered Simon Cowell from American Idol talking about the “it” Factor that makes a musician/band stand out. What do you think is your “it” factor that makes you stand out from others in the music business?
Fontaine: To be perfectly honest, I don’t have the kind of “IT” factor that Simon Cowell is looking for but that doesn’t mean I’m coming to the party empty handed. I might not be the guy that stops conversations when I walk in the room but I will gladly start a conversation while we are waiting in line at the bar.
And I very well might say something that will stick in your head for days. I hope that is the experience folks get when they listen to my music. A little bit of - Oh, I didn’t expect that, or Hey, this guy is funny, Or, I never thought of it quite that way.
Isaac: Why should music fans listen to your music? Describe what they are going to get when they listen to your music?
Fontaine: I want to give fans an earful. I sincerely hope they get lost or even overwhelmed by the quirky yet gorgeous arrangements that Adrian has put together. I hope they are intrigued and comforted and entertained by the stories and turns of phrase that weave through the lyrics and I hope they cotton to the characters that reveal themselves as you listen to these songs.
Isaac: Briefly describe your humble beginnings that led you to where you are at musically now.
Fontaine: Humble beginnings? Hmmm.
I’m not from a musical family per se but Dad sang a lot of Johnny Cash around the house and Mom would hum along to Sergio Mendes and Brasil 66 while passing hors d'oeuvres at their soirees. It wasn’t long before I was standing in front of a mirror using a tennis racquet as a guitar. That was really the foundation I guess.
Also, I went to Catholic school where the nuns made me sing the soprano solos because I could hit the high notes. They thought that was a hoot.
Isaac: You have some strong iconic influences. Of these influences, which artist/band do you relate to the most and why?
Fontaine: Well, there are two sets of influences. There are the big guns that influenced me as I was growing up like The Beatles, The Beach Boys and Harry Nilsson and later on, Tom Waits and Leonard Cohen. Then there are a few contemporary guys that are having a profound influence on me right now.
People that might not be on your radar but nonetheless they affect me every day. Guys like Royal Wood, Jeremy Messersmith and Elbow. Royal Wood in particular is an extremely prolific writer/performer and he inspires me to keep my majestic nose to the grindstone and get the work done. So where as early country, rock and roll and anything with a sixties vibe may have influenced my sound aesthetic, it’s the new guys that are influencing my work ethic.
Fontaine James
My headphones are practically glued to my head. I’m constantly listening to playlists of inspiration songs or my own work and when I take them off and find myself sitting down to watch the tube, I think of those new guys and I say to myself - Fontaine, Do you believe for a second that Royal Wood and Messersmith are sippin’ on a sizzurp and watching the Real Housewives of Miami? Probably not, so put down the remote and start writing.
Isaac: Do you feel that Indie music gets the respect it deserves? Why or why not?
Fontaine: I’m coming at it from a unique perspective right now. At the moment, based on my current experience, I do think Indie music gets the respect it deserves but I’m still in the honeymoon phase. Ask me again when I’m a couple of albums in and I haven’t gotten any traction or after I’ve been on the road a while -sleeping in a minivan with a mandolin case as my pillow, eating Popeye’s and BK for 3 days straight and having to urinate in an empty Snapple bottle (TMI?). Maybe then you’ll hear me yammering for more respect.
Isaac: If you could change one thing about the music business, what would it be and why?
Fontaine: Clearly the answer is the music business needs more Fontaine James.
One demographic that I hear from a lot is folks in their 30s and 40s. They are frustrated that there is no new music for THEM. These people are educated music lovers with disposable income. Music has been a huge part of their lives. They are embarrassed to be following the same bands as their children and they don’t want to be told that their only other choices are Rod Stewart, Steely Dan and Tony Bennett or made to feel like an oldie but goodie as they load up their IPods with all the music they loved in college.
From what I’m hearing, there seems to be a market, albeit a niche market, for intelligent, melodic, contemporary music about things other than dropping your panties on prom night. My Producer calls it - IntelliPop. Let’s make this happen.
Isaac: Do you think in the near future that DIY artists/bands will be the norm and big record companies will be very limited?
Fontaine: DIY artists are already the norm. There are only a handful of large venues and only a handful of artists that can fill them. There are thousands of smaller venues and thousands more mad talented artists looking to play. In this kind of climate the DIY artist has to do everything - write, perform, book, design merch, sell merch, design a website, keep a blog, track publishing and licensing, etc. soup to nuts as they say. What exactly is a record company going to do for you these days?
Isaac: What type of feedbacks have you been receiving about your music from fans and music critics?
Fontaine: Here are the buzzwords that I get a lot.
Fresh tunes with a nostalgic bent. Insightful lyrics. Humorous yet poignant. Biting but sentimental. Beatlesque. Imagine Scott Weiland lost on the yellow submarine.
Isaac: If you knew that you would never gain fame and fortune with what you are doing now, would you continue to make music? Explain.
Fontaine: Yes. I can say that I do not expect to gain fame and fortune from this and here I am writing and singing my arse off. I absolutely enjoy the song form and the process of writing songs. I have a very creative career job that I find incredibly rewarding but the creative process there is collaborative, consequently there is a lot of compromising and adjusting that effect the end result.
That’s not to say the work is not good but the work is not about a singular creative vision and that is what I get from writing and recording my own stuff - the satisfaction of seeing a vision through. You don’t need to pay me for that.
Isaac: How do you handle negative feedback or negative energy about your music?
Fontaine: It doesn’t bother me at all. If my music doesn’t blow your skirt up that’s cool. Everybody favors certain genres and dismisses others. I don’t take that personally at all. And if some one ever said anything just down right mean I would have to assume that that is more their problem than mine.
Isaac: What role do your family and friends play in the equation of your pursuant of a music career?
Fontaine: They are as supportive as they know how to be but they are confused by it. I am obviously having a good time and taking this very seriously and my friends and family are genuinely happy for me but I think they are cautiously waiting to see how far I plan to take this. How do I plan to promote the album? Do I expect to tour? Will I leave my career job? I like to keep them guessing.
Isaac: Do you feel that Indie music gets the respect it deserves? Why or why not?
Fontaine: I’m coming at it from a unique perspective right now. At the moment, based on my current experience, I do think Indie music gets the respect it deserves but I’m still in the honeymoon phase. Ask me again when I’m a couple of albums in and I haven’t gotten any traction or after I’ve been on the road a while -sleeping in a minivan with a mandolin case as my pillow, eating Popeye’s and BK for 3 days straight and having to urinate in an empty Snapple bottle (TMI?). Maybe then you’ll hear me yammering for more respect.
Isaac: If you could change one thing about the music business, what would it be and why?
Fontaine: Clearly the answer is the music business needs more Fontaine James.
One demographic that I hear from a lot is folks in their 30s and 40s. They are frustrated that there is no new music for THEM. These people are educated music lovers with disposable income. Music has been a huge part of their lives. They are embarrassed to be following the same bands as their children and they don’t want to be told that their only other choices are Rod Stewart, Steely Dan and Tony Bennett or made to feel like an oldie but goodie as they load up their IPods with all the music they loved in college.
From what I’m hearing, there seems to be a market, albeit a niche market, for intelligent, melodic, contemporary music about things other than dropping your panties on prom night. My Producer calls it - IntelliPop. Let’s make this happen.
Isaac: Do you think in the near future that DIY artists/bands will be the norm and big record companies will be very limited?
Fontaine: DIY artists are already the norm. There are only a handful of large venues and only a handful of artists that can fill them. There are thousands of smaller venues and thousands more mad talented artists looking to play. In this kind of climate the DIY artist has to do everything - write, perform, book, design merch, sell merch, design a website, keep a blog, track publishing and licensing, etc. soup to nuts as they say. What exactly is a record company going to do for you these days?
Isaac: What type of feedbacks have you been receiving about your music from fans and music critics?
Fontaine: Here are the buzzwords that I get a lot.
Fresh tunes with a nostalgic bent. Insightful lyrics. Humorous yet poignant. Biting but sentimental. Beatlesque. Imagine Scott Weiland lost on the yellow submarine.
Isaac: If you knew that you would never gain fame and fortune with what you are doing now, would you continue to make music? Explain.
Fontaine: Yes. I can say that I do not expect to gain fame and fortune from this and here I am writing and singing my arse off. I absolutely enjoy the song form and the process of writing songs. I have a very creative career job that I find incredibly rewarding but the creative process there is collaborative, consequently there is a lot of compromising and adjusting that effect the end result.
That’s not to say the work is not good but the work is not about a singular creative vision and that is what I get from writing and recording my own stuff - the satisfaction of seeing a vision through. You don’t need to pay me for that.
Isaac: How do you handle negative feedback or negative energy about your music?
Fontaine: It doesn’t bother me at all. If my music doesn’t blow your skirt up that’s cool. Everybody favors certain genres and dismisses others. I don’t take that personally at all. And if some one ever said anything just down right mean I would have to assume that that is more their problem than mine.
Isaac: What role do your family and friends play in the equation of your pursuant of a music career?
Fontaine: They are as supportive as they know how to be but they are confused by it. I am obviously having a good time and taking this very seriously and my friends and family are genuinely happy for me but I think they are cautiously waiting to see how far I plan to take this. How do I plan to promote the album? Do I expect to tour? Will I leave my career job? I like to keep them guessing.
Fontaine James
Isaac: What is the best site/s that you can be found on the Internet?
Fontaine: Clearly the answer is www.juniorscave.com with www.fontainejames.com running a close second.
Isaac:
Isaac: The floor is yours; final words…..
Fontaine: Life happens – enjoy it! There is a mythology built up around love, success, glamour, beauty, wealth, intelligence, creativity, all those sorts of things, and folks get caught up in striving to achieve or at least project, a perfect picture and we beat ourselves up when we fall short. The truth is everyone has a story to tell and every single one of those stories is more complex and more interesting than any romanticized Disney fantasy.
My radar is always up for a colorful anecdote or slanted opinion. I will eaves drop at a confessional to get good material. That’s what life is about - the struggles and foibles of the hoi polloi, the skewed view of the quirky. Celebrate it.







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